Monthly Archives: December 2007

An Interview with Adrian Belew, Part 2

Musician Adrian Belew talks about teaching himself guitar at 16, what it felt like to sign on with Zappa's band, and how he writes and performs complex, multi-rhythmic pieces.

Adrian Belew

Photo credit: Image courtesy of Daryl Darko

Welcome to the second part of this interview with guitarist, singer, and songwriter Adrian Belew. If you haven’t already read the first part, you can find it here or jump to Part Three here.

Do you remember when you first started writing songs?

At age sixteen I contracted mononucleosis in high school and was forced to stay at home and be tutored for two months. And the requirement was that you be inactive. I was a drummer, and I could no longer drum. I had always had songs in my mind that would just appear, and I could kind of hear them full on as though a record was playing. So I decided to take those two months and teach myself to play guitar.

I borrowed an acoustic guitar from one of my band members, and by the end of the two months I had written five songs and put them on tape. I do remember little bits of pieces of them, but I couldn’t even tell you the melodies or titles.

The tapes are long gone?

I’m afraid so. I wish they weren’t. They’d be on my website right now.

Were you surprised at how quickly you picked up the guitar?

I was very surprised at my ability to just figure it out my own way. I could hear what I wanted and so I would just say, “Okay, this is the note that I want, and here is the harmony note to that. And if you put this other note with it you get an interesting chord sound that goes underneath it,” and just proceeded that way. I had absolutely no instruction from, really, anyone. And I didn’t try to learn it in a proper way. For many years I had no idea what the names of chords were.

So you just sort of intuited what the chords would be?

I think probably a lot of it was from my ability as a singer. Because from the age of five on I studied singing by just, you know, singing along with every record that I liked and every singer. I’d have to say that really my first musical ability was singing. I used to entertain my parents and aunts and uncles by singing along with the jukebox or singing with songs on the radio. And I just seemed to have a natural knack for harmonies.

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Category: Music/Dance

An Interview with Adrian Belew, Part 1

Musician Adrian Belew talks about collaborating with King Crimson and the Bears, why the last two years have been so productive, and how he perceives music.

Adrian Belew

Photo credit: Image courtesy of Daryl Darko.

This is the first part of a three-part interview. You can find Part Two here.

With both the Bears and King Crimson, you’ve developed longstanding creative relationships that have spanned decades. What do you attribute that to?

When you know something works, you should continue it. There’s a large part of me that’s solo oriented. Like a painter, I think sometimes, “Well, I don’t really need anyone’s help in this. This is me painting a picture or me painting a song.” So as much as I can, I try to do everything myself because that’s not only the most fun, it’s also the most rewarding.

But it’s very healthy to step out of that and share something with someone else where you’re not the only one in control and you’re not the only one with the ideas. Interesting things happen that way. So I’ve tried to kind of have a diet of both throughout my career, as a way to continue to be fresh and grow.

How does collaborative songwriting differ from when you’re writing solo?

Well, most of my collaborative things have been quietly done — you know, one or two people sitting down together, perhaps, unamplified, where you’re just trying to get a basic outline of something. Then you take those ideas away and refine them and you meet again and show each other your refinements.

If I’m working within, say, King Crimson, with Robert Fripp, that’s exactly how it works. It’s a quiet process and what you’re trying to do really is allow each other the freedom to try things and be a sounding board sometimes, or else be the one who’s leading the parade.

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Category: Music/Dance

An Interview with Tobie Giddio

Visual artist and fashion illustrator Tobie Giddio talks about music and meditation, and finding inspiration in the New York club scene.

Image created for Tiffany & Co. by Tobie Giddio, reproduced  courtesy of the artist.

Image created for Tiffany & Co.
by Tobie Giddio, reproduced
courtesy of the artist.

Can you describe your background?

Well, I started out in fashion illustration. I studied with a number of teachers at F.I.T. [the Fashion Institute of Technology in New York – ed.]. And one of my main mentors was a teacher who was very rooted in fine art, so I was getting taught both principles at the same time. I was learning about drawing, and drawing the figure, and drawing the fashion figure, and then at the same time I was learning how to abstract the figure and learning about color and fine art and especially the modern art folks. To this day, I work in the fashion industry, and I spend a lot of time abstracting fashion and beauty and nature.

How does fashion illustration work — when you’re working on an ad, for example, what are you working from?

Well, I studied drawing from life…. And then, as time went on, I left drawing from life and now I mostly draw from memory. The figures just keep sort of coming. I draw them from my mind.

If it’s a job, I’ll often have specific clothing to draw. Most of the things on my site — a lot of the things that I do for myself in my studio — they’re just sort of memories and little vignettes of things that I’ve seen, and I’ve really loved.

I love to look at the couture in Paris and very beautiful, extravagant runway shows. I’m not that interested in regular fashion — American fashion. I look at those European shows, and then a lot of the details might show up in my work.

You seem to be very productive. Was that always the case or did something kick in along the way that helped ramp things up?

Well, I don’t know if I’m really that productive. I mean, it looks like a lot of work — when I look at my website, I think, “Oh geez, I have done stuff.” But I don’t draw every day. To me, productive people are people who draw every day or paint or are sitting at the piano every day. I don’t. But I do work. I’ll work when I really feel inspired to work. And I’m capable of producing a lot of work in a small amount of time. But I don’t necessarily work every day.

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Category: Visual Arts/Design